Showing posts with label Week 6. Show all posts
Showing posts with label Week 6. Show all posts

The AP ICE Rubric


AP 9-Point Rubric for Writing about Literature

An 8-9 essay responds to the prompt clearly, directly, and fully. This paper approaches the text analytically, supports a coherent thesis with evidence from the text, and explains how the evidence illustrates and reinforces its thesis. The essay employs subtlety in its use of the text and the writer’s style is fluent and flexible. It is also free of mechanical and grammatical errors (or at least no very noticeable errors).  "A" work.

A 6-7 essay responds to the assignment clearly and directly but with less development than an 8-9 paper. It demonstrates a good understanding of the text and supports its thesis with appropriate textual evidence. While its approach is analytical, the analysis is less precise than in the 8-9 essay, and its use of the text is competent but not subtle. The writing in this paper is forceful and clear with few if any grammatical and mechanical errors. "B" work.

A 5 essay addresses the assigned topic intelligently but does not answer it fully and specifically. It is characterized by a good but general grasp of the text using the text to frame an apt response to the prompt. It may employ textual evidence sparingly or offer evidence without attaching it to the thesis. The essay is clear and organized but may be somewhat mechanical. The paper may also be marred by grammatical and mechanical errors. "C" work.

A 3-4 essay fails in some important way to fulfill the demands of the prompt. It may not address part of the assignment, fail to provide minimal textual support for its thesis, or base its analysis on a misreading of some part of the text. This essay may present one or more incisive insights among others of less value. The writing may be similarly uneven in development with lapses in organization, clarity, grammar, and mechanics. "C-" to "D" work.

A 0-2 essay commonly combines two or more serious failures. It may not address the actual assignment; it may indicate a serious misreading of the text; it may not offer textual evidence or may use it in a way that suggests a failure to understand the text; it may be unclear, badly written, or unacceptably brief. The style of this paper is usually marked by egregious errors. Occasionally a paper in this range is smoothly written but devoid of content. "D-" or failed.  

9:   100
9-:   98
8+:  96
8:    94
8-:   92
7+:  90
7:    88
7-:   86
6+:  84
6:    82
6-:  80
5+:  78
5:     76
5-:   74
4+:  72
4:    70
4-:   68
3+:  66
3:     64
3-:    62
2+:   60
2:     58
2-:    56
1:      52


Remember, your work is analysis.

In Writing about Literature the authors tell us that
an analysis (literally a "breaking up" or separation of something into its constituent parts)--instead of trying to examine all parts of the work in relation to the whole--selects for examination just some elements or parts that relate to the whole. Clearly, an analysis is a better approach to longer works and to prose works than is an explication. A literary work may be usefully approached through almost any of its different elements--point of view, characterization, plot, setting, symbolism, structure, and the like--so long as you relate this element to the central meaning or the whole. 

Also in Writing about Literature the authors discusses comparison/contrast papers.
The comparison and contrast of two stories may be an illuminating exercise, because the similarities highlight the differences, or vice versa, and thus lead to a better understanding not only of both pieces but of literary processes in general. The works selected may be similar in plot but different in theme, similar in subject but different in tone, similar in theme but different in literary value, or, conversely, different in plot but similar in theme, different in subject but similar in tone, and so on. In writing such a paper, it is usually best to decide first whether the similarities or the differences are more significant, begin with a brief summary of the less significant, and then concentrate on the more significant. 

More words do not necessarily earn an essay a higher score, but fewer words will usually earn a lower score (as you cannot adequately develop your idea). 

Here are some guidelines. A word count less than or equal to

  • 200 words will usually not score higher than a 3
  • 400 words will usually not score higher than a 5
  • 550 words will usually not score higher than a 7
  • 750 words will usually not score higher than a 8.
  • 800 words will usually not score higher than a 9.
  • The most a student usually writes is 1,100 words on one essay. 
  • You should shoot for 800 words...really landing in the 700's somewhere.  For most of you, that's three full pages.    
  • I have seen one essay of 450 words that earned an 8, but that is extremely rare.

Block Day, Week 6: Chaucer

 * Quiz 1

* Work on your CWP

* Chaucer Notes
Consider pilgrimage and it's modern counterparts.
Consider other medieval impulses that have reformed, transformed, or deformed.
Why is Chaucer considered the father of English poetry (and English literature entirely to many)?

* 2009 (if time permits)

HW: Finish Reading the Prologue

Wednesday, 9/21: Ligaments and Linkages

*  Let's Take a Stroll through the Links
           A Chaucer Biography
           Thomas Becket (1118-1170): Archbishop of Canterbury; at odds with King Henry II; assassinated:
"...The wicked knight leapt suddenly upon him, cutting off the top of the crown which the unction of sacred chrism had dedicated to God. Next he received a second blow on the head, but still he stood firm and immovable. At the third blow he fell on his knees and elbows, offering himself a living sacrifice, and saying in a low voice, 'For the name of Jesus and the protection of the Church, I am ready to embrace death.' But the third knight inflicted a terrible wound as he lay prostrate. By this stroke, the crown of his head was separated from the head in such a way that the blood white with the brain, and the brain no less red from the blood, dyed the floor of the cathedral. The same clerk who had entered with the knights placed his foot on the neck of the holy priest and precious martyr, and, horrible to relate, scattered the brains and blood about the pavements, crying to the others, 'Let us away, knights; this fellow will arise no more (Lee, This Sceptered Isle).

* Check in books; check out books on this blog entry.  Please do not check out Canterbury Tales if you have a Beowulf book presently.  Please
            1.  Post a comment (anonymous in the pull-down list)
            2.  Type in your name, period, and title you are checking in or out (and barcode from front, inside cover if applicable)
            3.  Somehow figure out the crazy code you have to type in. 
            4.  Refresh to see if it posted.
            5.  Do it again if it did not post.  Sorry, that's how it goes with this sometimes. 


*  CWP

*  Cards to Check?

*  Study your words.  Review your notes.  You will have a short quiz tomorrow (or Friday, depending on your period).

HW: Study; Continue with the Prologue

Outside Reading

Sir Gawaine and the Green Knight 
     Free
    * Here is a poetic, modern, fun translation. 
     * Two more: Modernised Text by Roger Hartill;a prose translation by Jessie Weston 
     Not Free
     J.R.R. Tolkien (be careful, Tolkien also has an original language version which you don't want...you want the one linked to from here) 

Pearl 
     Free 
    *  Sophia Jewett's translation:  You can find it in iBooks; search for "Pearl Jewett."  You can also download it as a .pdf here. 

     Not Free
     Sister Mary Hillmann

Dante's Inferno
     Free
     *  Longfellow's translation is good. You can find it by searching for "The Divine Comedy: Vol. 1: Inferno" in iBooks.  Or, here it is in google books.
     *  Rev. Cary's translation with illustrations by the renowned Gustave Dore.  Awesome! You can get this in iBooks also.  Look for "The Divine Comedy Cary."
     Not Free
     Anthony Esolen
     John Ciardi 
     Dorothy Sayers

Tuesday, 9/20: Chaucer

* Check Cards

* Vocabulary: --20

* Review Commas: Punctuation Section 32 in Bedford

* Reading Chaucer

Testing these on the iPad, Harvard may be the best and easiest for you:

Harvard's interlinear translation of the Prologue. For now, you're just beginning the "Prologue."
Here is the complete index: The Index of Translations.
Here is the Harvard background page.

Others that also look good:

A Good Place to Start: With notes and side translations: .pdf

Side by Side: Easier 

Skeat's (Original): Too Hard

More Resources:


* Primo! * Norton Online (a great resource for the year)

* World Literature: Chaucer (our text)

* Coppee: Chaucer and the Early Reformation (for extra goodness)

HW: Begin Reading The Canterbury Tales

Monday, 9/19: The Next Step

*  Check J9: RD

*  Card

*  World Literature: Beowulf to The Renaissance Spirit

*  Choose a Work: Sir Gawain and the Green Knight, or Pearl, or Inferno (from the course plan)

HW: Card, Reading