Tuesday, 12/17: Party

* Enjoy your party and review today!
All the best,

Mr. S


Finals Week Schedule

Final Exam Review

* Open
  • What is Coleridge's key word that describes the The Tempest in toto
    • If you don't know, let's check in again at the end of the period. 
  • Tea Party Tomorrow!
  • Per. 4 Party
  • Per. 5 Party
  • Per. 7 Party
* Finish The Tempest, and don't forget Coleridge.

* Review for the final exam.

* Binder

HW: Review




Block Day

* Open

* Dear 7th period: Whilst we ride our bus to San Jose, you will be engaged a bit of multiple choice practice (on your desk) and Tempest study.  I will discuss any and every question from your guide and play on Monday and Tuesday of next week.  One thing I will tell you early is that I will be allowing you to use your AP Note Cards on the essay portion of the final exam, so be sure to make a good card for each of these last two dramas. Please stay on track and use your class time wisely today.  I love discussing the play with you and look forward to seeing you on Monday.  All you need for today is in this blog post. 
* Practice AP M.C. (30--55): give yourself 25 minutes (time yourself, please).
    • Check your own answers after you finish (you do not need to make corrections; 1991 is only for practice.  Answers for 1991.  Study answers that were incorrect (but there is no associated written assignment).  When you finish, please continue on to The Tempest work below.
* Check to see if you are on the senior quote list...if you see your name, send in your quote NOW, before you do anything else.  
* Continue your Tempest work.  

  • First, read S. T. Coleridge's Notes on The Tempest (pp. 64-71)
    • Please read these notes to guide your reading of Coleridge:
      • The French school wished drama to be an entirely convincing, realistic delusion.  Coleridge is not of this opinion.
      • Dr. Samuel Johnson (according to Coleridge) believed that we could not really be deluded, so it was useless to judge a work by its realism. 
      • Coleridge taught that participants in literary art needed to be bring, what he calls elsewhere, "a willful suspension of disbelief."  So Coleridge is for a middle way where both the viewer and the author have a role to play in bringing the art to its fullness.  We, the viewer or reader, are willingly deluded, but the author and performers must exhibit enough plausible pretense to keep the reader or viewer engaged.  Either participant could make an error serious enough to mar the relationship.  Better writers and better viewers will produce better effects together. 
      • Coleridge teaches that The Tempest is a "purely romantic drama" and so has elements that stretch the imagination (spirit, magician, wedding blessing masque, etc.) (66).  However, Coleridge does not see this as a fault or insult to his reason.  
      • Question for you to respond to in your notes: How then, is The Tempest a good, rich, rewarding, well-written play, if it indeed has many elements that are romantic, imaginative, unhistorical, etc.?  There is a key word that Coleridge focuses on as the quality that justifies and balances the work.  What is it?
  • Now continue on to acts IV--V (finish your journal with 7.4 and 7.5 by Tuesday)
HW: Exam review;to prepare for the party, please comment to the appropriate link below so that supplies are sensibly divided.

Senior Quote

Tomorrow is the last day to turn in your senior quote. 

Send it to :
Wkdus95@gmail.com (Youn Lim)

Arroyo, Mara 
Avant, McKynzie
Chandler, Julia Marie
Clements, Harry
Drennen, James
Gomez, Lourdes 
Hirschaut, Meridith Nevarez, Dominique
Rickel, Evan Jeffrey
Rothschild, Karen
Sabsay, Daniel 
Song, Stephanie
Souza, Jordan
Toler, Myckenzie 

This Week's Schedule

AP Semester I Final Exam Review

* AP Study Cards
  • Final Exam
    • Memorization: The Tempest
      • 50 Words or More
    • Essay: The Tempest
    • Multiple Choice
      • Historical Notes
        • Anglo-Saxon
        • Medieval
        • Renaissance
      • Terms (see your terms)
      • Vocabulary (lists 1-4)
      • Grammar
      • Literature (review your note cards)
        • That Hideous Strength
        • Beowulf
        • Sir Gawain and the Green Knight
        • The Canterbury Tales
        • The Tempest
 * Literary Criticism

  • Samuel Johnson on The Tempest 
  • Coleridge here on the Google Drive
    • Question 1 for you to respond to in your notes: How then, is The Tempest a good, rich, rewarding, well-written play, if it indeed has many elements that are romantic, imaginative, unhistorical, etc.?  There is a key word that Coleridge focuses on as the quality that justifies and balances the work.  What is it?
  • Rene Girard (Stanford video; famous modern literary critic): The Tempest 
    • Question 2 to respond to in your notes: In one paragraph, compare our three critical perspectives.  How might they reflect "sea changes" in literary interpretation?

Wednesday, 12/11/13

* Open
* Act III

* Optional Rewrite: Turn rewrite into the silver tray.  You don't need to staple your old essay to the new one, but I do want you to put the old essay beneath your new one.  Be sure both have our standard MLA heading.

HW: 7.3

Artist: Stella Maria Baer

Plan to the Final Exam

Final Exam Focus: The Elizabethan Renaissance
  • Part 1: Final Exam Essay on Shakespeare
    • You will have up to 40 minutes.  
    • You will choose from selected prompts treating King Lear and The Tempest
    • Examples:
  • Part 2: Multiple Choice Exam  
    • You will have up to 40 minutes.
    • Your questions will be based on the following:
      • Passage-Based Tempest Questions
      • Renaissance Notes
      • Questions from previous quizzes and tests (Anglo-Saxon, Middle English)
      • Terms and Vocabulary
      • Reading
      • A Few Grammar Sentences 

Monday, 12/16
  • Review
Tuesday, 12/17
  • Per. 1 Final
  • Review and Tea Party
Wednesday, 12/18
  • Per. 2-3 Final
Thursday, 12/19
  • Per. 4-5 Final
Friday, 12/20
  • Per. 6-7 Final