Block Day: Lear

* Open
* Any Remaining Questions

* King Lear AP Note Card

* Collect Journal 6

* Quiz

* Thank you Note

* Our Next Text:  The Tempest

* CWP

HW: Optional: CWP

http://163yb4p732y4p823.zippykid.netdna-cdn.com/wp-content/uploads/2013/11/ms-tempest-sarah-lane-as-miranda-marcelo-gomes-ship_1000.jpg
Dancing Our Way Toward The Tempest (Sarah Lane as Miranda and Marcelo Gomes as Prospero in The Tempest.
© Marty Sohl)

Wednesday, 11/20/13: Lear

* Open
  • Check your study guide
* Review Acts II--III

* King Lear

* Video (finish tonight)


HW: Watch/Read Acts IV--V; Journal 6 (five questions answered from each act); quiz tomorrow

Tuesday, 11/19/13: Lear

* Open
  • Look over the guide for questions to ask
  • King Lear
* Review

* Video

HW: Read acts II--III

Monday, 11/18/13: Glouster Leered too Much in His Youth

* Open
  • Grammar :
    Lear Why no boy nothing can be made out of nothing.
    Fool [To KENT] Prithee tell him so much the rent of
    his land comes to he will not believe a fool.  
  • The week in review
    • This week is King Lear.
    • Your journal is due on block day. 
    • You will have a quiz on Lear only on block day. 
    • Your CWP FD can be turned in as late as Dec. 5 (when your map is also due). 
* Continue our video
  • Per. 4: 4:00; per. 5: 5:51; per. 7:
* Journal 6
  • You choose any five questions from the guide on Focus for each act.  Respond thoughtfully, completely, and by hand. Due block day (all five acts).
HW: Read acts II-III

Edwin Austin Abbey
Edwin Austin Abbey: "King Lear: Cordelia's Farewell" (late 1800's to early 1900s); at the Metropolitan Museum of Art; the three sisters are on the left, Cordelia in the cream-colored robes.

How Do I Get a Higher Score on My In Class Essay?

To improve your expository (or analytical) writing, consider the following:

1. Textual support. Your statements may be correct, but does each have specific support from an event or conversation? Let "for instance" be your motto, even though we won't write those words so often. Lots o' support; lots and lots of specific support; yes, support.  Support after your topic sentence; tie the support back to your thesis before you go to the next paragraph...where you provide more extremely specific support for your next topic...until you conclude your well-supported essay.  

2. Development. If you don't get much down on paper, there's less room for you to make a good case.

3. Intelligent word choices and phrases. Are you repeating the same verbs, nouns, or adjectives needlessly?  Passive voice? 

4. Sentence variety. Have you put punctuators (beside the comma and period) to good use?  Semicolons?  Dashes?  Rhetorical sweetness?
5. Elements: Slip in literary elements connected to your thesis and text (not simply for the joy of naming) whenever possible.  Tie that element back to your topic sentence and/or thesis.  Yes, tie that element back to your topic sentence and/or thesis.  Yes, do that.  Yes, indeed, do that. 

Block Day, Week 14: Lear

* Open
  • Grammar
    • This is the end of the matter
    • you have heard it all
    • Fear God and keep his commands
    • there is no more than this
    • For God brings everything we do to judgement 
    • and every secret whether good or bad 

* CWP Peer Edit
  • Does this make sense?
  • Do you have any creative suggestions?
  • Circle grammar errors you find, please.
  • Fun, Recent Example
  • Schwager checks your Chaucer card.
* King Lear
  • Have you ever been deeply misunderstood or misjudged by a parent (or both)?  What happened?  How did you respond?  Was there eventual resolution?  Do you need to forgive now?  
    • This is the opening context for King Lear, and it is tragic.

HW: Read Act I, scenes 1-2 of King Lear


"King Lear Admonishing Cordelia" by Henri Fuseli (late 1700s)

Wednesday, 11/13/13: CWP RD

* Open
  •  Grammar
    • Thou Nature art my goddess to thy law my services are bound...Edmund the base shall top the legitimate I grow I prosper.
* 1999 AP Test Review through #29

* CWP RD Due tomorrow
  • Three pages; on paper
  • Handwritten, then single space
  • Typed, then double space
  • Fun, Recent Example
* The AP In Class Rubric

HW:
  1. CWP RD
  2. Chaucer Card
  3. Renaissance notes (I will not check these, but I will assume you've taken them for our next quiz and the binder check) 
http://upload.wikimedia.org/wikipedia/commons/c/c2/KellsFol291vPortJohn.jpg
The Book of Kells: John the Evangelist

http://upload.wikimedia.org/wikipedia/commons/e/ee/KellsFol034rChiRhoMonogram.jpg
Book of Kells: Chi Rho, the first Two Letters of Christ in Greek


And when they came to the sword that the hand held, King Arthur took it up - N.C. Wyeth
Arthur and Excalibur


The Holy Grail



Tuesday, 11/12: Middle Ages to the Renaissance

* Open
  • Grammar:
    • I have been studying how I may compare
    • This prison where I live un to the world
    • And for because the world is populus
    • And here is not a creature but myself
    • I canot do it yet I'll hammer it out.
 * AP M.C.

* Chaucer Card

  • The Canterbury Tales
  • You do not have to make separate cards for each tale, just cover both tales on one card. 
  • Include two quotes from each tale
* The English Renaissance: take notes

HW: Finish Your Notes and Chaucer Card; if you are done, consider the legend you will be writing tomorrow

Veterans Day Schedule

First 8:10 8:55 45 minutes

Second 9:00 9:45 45 minutes

Assembly 9:55 10:30 35 minutes All HS students will head for gym to attend the

Break 10:30 10:40 10 minutes

Third 10:40 11:25 45 minutes

Fourth 11:30 12:15 45 minutes

Lunch 12:15 12:50 35minutes

Fifth 12:55 1:40 45 minutes

Sixth 1:45 2:30 45 minutes

Seventh 2:35 3:20 45 minutes

Veterans Day: 11/11/14

  •  Open
    • Grammar (copy and punctuate)
      • In Flanders fields the poppies blow Between the crosses, row on row, That mark our place, and in the sky, The larks, still bravely singing, fly, Scarce heard amid the guns below. - See more at: http://www.poets.org/viewmedia.php/prmMID/19464#sthash.Ino4aS6O.dpuf
        In Flanders fields the poppies blow Between the crosses, row on row, That mark our place, and in the sky, The larks, still bravely singing, fly, Scarce heard amid the guns below. - See more at: http://www.poets.org/viewmedia.php/prmMID/19464#sthash.Ino4aS6O.dpuf
         In Flanders fields the poppies blow
         Between the crosses row on row
         That mark our place and in the sky
         The larks still bravely singing fly
         Scarce heard amid the guns below
Please read the short entry about Veteran's Day at Encyclopedia Britannica (mvcs; pass=same as wifi)
    • Q. What is the difference between Veterans Day (Nov. 11) and Memorial Day (last Monday of May, moment of remembrance at 3:00 pm)?
      • "A. Many people confuse Memorial Day and Veterans Day. Memorial Day is a day for remembering and honoring military personnel who died in the service of their country, particularly those who died in battle or as a result of wounds sustained in battle. While those who died are also remembered, Veterans Day is the day set aside to thank and honor ALLthose who served honorably in the military - in wartime or peacetime. In fact, Veterans Day is largely intended to thank LIVING veterans for their service, to acknowledge that their contributions to our national security are appreciated, and to underscore the fact that all those who served - not only those who died - have sacrificed and done their duty" ( U.S. Dept. of Veterans Affairs).
         
    http://media2.school.eb.com//eb-media/66/73666-050-685221BB.jpg

    Veterans Day: ceremony honouring war veterans in Gloucestershire, England


    http://upload.wikimedia.org/wikipedia/commons/0/0e/In_Flanders_fields_and_other_poems%2C_handwritten.png
    "In Flanders Fields" by John McCrae


    In Flanders Fields
    In Flanders fields the poppies blow
    Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
    Scarce heard amid the guns below.
    We are the dead. Short days ago
    We lived, felt dawn, saw sunset glow,
    Loved, and were loved, and now we lie
    In Flanders fields.
    Take up our quarrel with the foe:
    To you from failing hands, we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die,
    We shall not sleep, though poppies grow
    In Flanders fields.
    * Read poetic responses to this poem. 
    • In your notes, begin your own response; perhaps you could give it to a veteran this week! 
    • Work in groups if you wish.  Perhaps one of person in your group knows of a good veteran to honor (a grandfather, etc.)
    • If time, we will read what what we have today...otherwise, in the near future.  

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    "A Good Man is Hard to Find" by Flannery O'Connor

    The grandmother didn't want to go to Florida. She wanted to visit some of her connections in east Tennessee and she was seizing at every chance to change Bailey's mind. Bailey was the son she lived with, her only boy. He was sitting on the edge of his chair at the table, bent over the orange sports section of the Journal. "Now look here, Bailey," she said, "see here, read this," and she stood with one hand on her thin hip and the other rattling the newspaper at his bald head. "Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida and you read here what it says he did to these people. Just you read it. I wouldn't take my children in any direction with a criminal like that aloose in it. I couldn't answer to my conscience if I did."

    Bailey didn't look up from his reading so she wheeled around then and faced the children's mother, a young woman in slacks, whose face was as broad and innocent as a cabbage and was tied around with a green head-kerchief that had two points on the top like rabbit's ears. She was sitting on the sofa, feeding the baby his apricots out of a jar. "The children have been to Florida before," the old lady said. "You all ought to take them somewhere else for a change so they would see different parts of the world and be broad. They never have been to east Tennessee."

    The children's mother didn't seem to hear her but the eight-year-old boy, John Wesley, a stocky child with glasses, said, "If you don't want to go to Florida, why dontcha stay at home?" He and the little girl, June Star, were reading the funny papers on the floor.

    "She wouldn't stay at home to be queen for a day," June Star said without raising her yellow head.

    "Yes and what would you do if this fellow, The Misfit, caught you?" the grandmother asked.

    "I'd smack his face," John Wesley said.

    "She wouldn't stay at home for a million bucks," June Star said. "Afraid she'd miss something. She has to go everywhere we go."

    "All right, Miss," the grandmother said. "Just re-member that the next time you want me to curl your hair."

    June Star said her hair was naturally curly.

    The next morning the grandmother was the first one in the car, ready to go. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath it she was hiding a basket with Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of her gas burners and accidentally asphyxiate himself. Her son, Bailey, didn't like to arrive at a motel with a cat.

    She sat in the middle of the back seat with John Wesley and June Star on either side of her. Bailey and the children's mother and the baby sat in front and they left Atlanta at eight forty-five with the mileage on the car at 55890. The grandmother wrote this down because she thought it would be interesting to say how many miles they had been when they got back. It took them twenty minutes to reach the outskirts of the city.

    The old lady settled herself comfortably, removing her white cotton gloves and putting them up with her purse on the shelf in front of the back window. The children's mother still had on slacks and still had her head tied up in a green kerchief, but the grandmother had on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a purple spray of cloth violets containing a sachet. In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady.

    She said she thought it was going to be a good day for driving, neither too hot nor too cold, and she cautioned Bailey that the speed limit was fifty-five miles an hour and that the patrolmen hid themselves behind billboards and small clumps of trees and sped out after you before you had a chance to slow down. She pointed out interesting details of the scenery: Stone Mountain; the blue granite that in some places came up to both sides of the highway; the brilliant red clay banks slightly streaked with purple; and the various crops that made rows of green lace-work on the ground. The trees were full of silver-white sunlight and the meanest of them sparkled. The children were reading comic magazines and their mother and gone back to sleep.

    "Let's go through Georgia fast so we won't have to look at it much," John Wesley said.

    "If I were a little boy," said the grandmother, "I wouldn't talk about my native state that way. Tennessee has the mountains and Georgia has the hills."

    "Tennessee is just a hillbilly dumping ground," John Wesley said, "and Georgia is a lousy state too."

    "You said it," June Star said.
    "In my time," said the grandmother, folding her thin veined fingers, "children were more respectful of their native states and their parents and everything else. People did right then. Oh look at the cute little pickaninny!" she said and pointed to a Negro child standing in the door of a shack. "Wouldn't that make a picture, now?" she asked and they all turned and looked at the little Negro out of the back window. He waved

    "He didn't have any britches on," June Star said.

    "He probably didn't have any," the grandmother explained. "Little riggers in the country don't have things like we do. If I could paint, I'd paint that picture," she said.

    The children exchanged comic books.

    The grandmother offered to hold the baby and the children's mother passed him over the front seat to her. She set him on her knee and bounced him and told him about the things they were passing. She rolled her eyes and screwed up her mouth and stuck her leathery thin face into his smooth bland one.
    Occasionally he gave her a faraway smile. They passed a large cotton field with five or fix graves fenced in the middle of it, like a small island. "Look at the graveyard!" the grandmother said, pointing it out. "That was the old family burying ground. That belonged to the plantation."

    "Where's the plantation?" John Wesley asked.

    "Gone With the Wind" said the grandmother. "Ha. Ha."

    When the children finished all the comic books they had brought, they opened the lunch and ate it. The grandmother ate a peanut butter sandwich and an olive and would not let the children throw the box and the paper napkins out the window. When there was nothing else to do they played a game by choosing a cloud and making the other two guess what shape it suggested. John Wesley took one the shape of a cow and June Star guessed a cow and John Wesley said, no, an automobile, and June Star said he didn't play fair, and they began to slap each other over the grandmother.

    The grandmother said she would tell them a story if they would keep quiet. When she told a story, she rolled her eyes and waved her head and was very dramatic. She said once when she was a maiden lady she had been courted by a Mr. Edgar Atkins Teagarden from Jasper, Georgia. She said he was a very good-looking man and a gentleman and that he brought her a watermelon every Saturday afternoon with his initials cut in it, E. A. T. Well, one Saturday, she said, Mr. Teagarden brought the watermelon and there was nobody at home and he left it on the front porch and returned in his buggy to Jasper, but she never got the watermelon, she said, because a nigger boy ate it when he saw the initials, E. A. T. ! This story tickled John Wesley's funny bone and he giggled and giggled but June Star didn't think it was any good. She said she wouldn't marry a man that just brought her a watermelon on Saturday. The grandmother said she would have done well to marry Mr. Teagarden because he was a gentle man and had bought Coca-Cola stock when it first came out and that he had died only a few years ago, a very wealthy man.

    They stopped at The Tower for barbecued sand- wiches. The Tower was a part stucco and part wood filling station and dance hall set in a clearing outside of Timothy. A fat man named Red Sammy Butts ran it and there were signs stuck here and there on the building and for miles up and down the highway saying, TRY RED SAMMY'S FAMOUS BARBECUE. NONE LIKE FAMOUS RED SAMMY'S! RED SAM! THE FAT BOY WITH THE HAPPY LAUGH. A VETERAN! RED SAMMY'S YOUR MAN!

    Red Sammy was lying on the bare ground outside The Tower with his head under a truck while a gray monkey about a foot high, chained to a small chinaberry tree, chattered nearby. The monkey sprang back into the tree and got on the highest limb as soon as he saw the children jump out of the car and run toward him.

    Inside, The Tower was a long dark room with a counter at one end and tables at the other and dancing space in the middle. They all sat down at a board table next to the nickelodeon and Red Sam's wife, a tall burnt-brown woman with hair and eyes lighter than her skin, came and took their order. The children's mother put a dime in the machine and played "The Tennessee Waltz," and the grandmother said that tune always made her want to dance. She asked Bailey if he would like to dance but he only glared at her. He didn't have a naturally sunny disposition like she did and trips made him nervous. The grandmother's brown eyes were very bright. She swayed her head from side to side and pretended she was dancing in her chair. June Star said play something she could tap to so the children's mother put in another dime and played a fast number and June Star stepped out onto the dance floor and did her tap routine.

    "Ain't she cute?" Red Sam's wife said, leaning over the counter. "Would you like to come be my little girl?"

    "No I certainly wouldn't," June Star said. "I wouldn't live in a broken-down place like this for a million bucks!" and she ran back to the table.

    "Ain't she cute?" the woman repeated, stretching her mouth politely.

    "Arn't you ashamed?" hissed the grandmother.

    Red Sam came in and told his wife to quit lounging on the counter and hurry up with these people's order. His khaki trousers reached just to his hip bones and his stomach hung over them like a sack of meal swaying under his shirt. He came over and sat down at a table nearby and let out a combination sigh and yodel. "You can't win," he said. "You can't win," and he wiped his sweating red face off with a gray handkerchief. "These days you don't know who to trust," he said. "Ain't that the truth?"

    "People are certainly not nice like they used to be," said the grandmother.

    "Two fellers come in here last week," Red Sammy said, "driving a Chrysler. It was a old beat-up car but it was a good one and these boys looked all right to me. Said they worked at the mill and you know I let them fellers charge the gas they bought? Now why did I do that?"

    "Because you're a good man!" the grandmother said at once.

    "Yes'm, I suppose so," Red Sam said as if he were struck with this answer.
    His wife brought the orders, carrying the five plates all at once without a tray, two in each hand and one balanced on her arm. "It isn't a soul in this green world of God's that you can trust," she said. "And I don't count nobody out of that, not nobody," she repeated, looking at Red Sammy.

    "Did you read about that criminal, The Misfit, that's escaped?" asked the grandmother.

    "I wouldn't be a bit surprised if he didn't attack this place right here," said the woman. "If he hears about it being here, I wouldn't be none surprised to see him. If he hears it's two cent in the cash register, I wouldn't be a-tall surprised if he . . ."

    "That'll do," Red Sam said. "Go bring these people their Co'-Colas," and the woman went off to get the rest of the order.

    "A good man is hard to find," Red Sammy said. "Everything is getting terrible. I remember the day you could go off and leave your screen door unlatched. Not no more."

    He and the grandmother discussed better times. The old lady said that in her opinion Europe was entirely to blame for the way things were now. She said the way Europe acted you would think we were made of money and Red Sam said it was no use talking about it, she was exactly right. The children ran outside into the white sunlight and looked at the monkey in the lacy chinaberry tree. He was busy catching fleas on himself and biting each one carefully between his teeth as if it were a delicacy.

    They drove off again into the hot afternoon. The grandmother took cat naps and woke up every few minutes with her own snoring. Outside of Toombsboro she woke up and recalled an old plantation that she had visited in this neighborhood once when she was a young lady. She said the house had six white columns across the front and that there was an avenue of oaks leading up to it and two little wooden trellis arbors on either side in front where you sat down with your suitor after a stroll in the garden. She recalled exactly which road to turn off to get to it. She knew that Bailey would not be willing to lose any time looking at an old house, but the more she talked about it, the more she wanted to see it once again and find out if the little twin arbors were still standing. "There was a secret:-panel in this house," she said craftily, not telling the truth but wishing that she were, "and the story went that all the family silver was hidden in it when Sherman came through but it was never found . . ."

    "Hey!" John Wesley said. "Let's go see it! We'll find it! We'll poke all the woodwork and find it! Who lives there? Where do you turn off at? Hey Pop, can't we turn off there?"

    "We never have seen a house with a secret panel!" June Star shrieked. "Let's go to the house with the secret panel! Hey Pop, can't we go see the house with the secret panel!"

    "It's not far from here, I know," the grandmother said. "It wouldn't take over twenty minutes."

    Bailey was looking straight ahead. His jaw was as rigid as a horseshoe. "No," he said.

    The children began to yell and scream that they wanted to see the house with the secret panel. John Wesley kicked the back of the front seat and June Star hung over her mother's shoulder and whined desperately into her ear that they never had any fun even on their vacation, that they could never do what THEY wanted to do. The baby began to scream and John Wesley kicked the back of the seat so hard that his father could feel the blows in his kidney.

    "All right!" he shouted and drew the car to a stop at the side of the road. "Will you all shut up? Will you all just shut up for one second? If you don't shut up, we won't go anywhere."

    "It would be very educational for them," the grandmother murmured.

    "All right," Bailey said, "but get this: this is the only time we're going to stop for anything like this. This is the one and only time."

    "The dirt road that you have to turn down is about a mile back," the grandmother directed. "I marked it when we passed."

    "A dirt road," Bailey groaned.

    After they had turned around and were headed toward the dirt road, the grandmother recalled other points about the house, the beautiful glass over the front doorway and the candle-lamp in the hall. John Wesley said that the secret panel was probably in the fireplace.

    "You can't go inside this house," Bailey said. "You don't know who lives there."

    "While you all talk to the people in front, I'll run around behind and get in a window," John Wesley suggested.

    "We'll all stay in the car," his mother said.

    They turned onto the dirt road and the car raced roughly along in a swirl of pink dust. The grandmother recalled the times when there were no paved roads and thirty miles was a day's journey. The dirt road was hilly and there were sudden washes in it and sharp curves on dangerous embankments. All at once they would be on a hill, looking down over the blue tops of trees for miles around, then the next minute, they would be in a red depression with the dust-coated trees looking down on them.

    "This place had better turn up in a minute," Bailey said, "or I'm going to turn around."

    The road looked as if no one had traveled on it in months.

    "It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder.

    The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar.

    As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.

    Bailey removed the cat from his neck with both hands and flung it out the window against the side of a pine tree. Then he got out of the car and started looking for the children's mother. She was sitting against the side of the red gutted ditch, holding the screaming baby, but she only had a cut down her face and a broken shoulder. "We've had an ACCIDENT!" the children screamed in a frenzy of delight.

    "But nobody's killed," June Star said with disappointment as the grandmother limped out of the car, her hat still pinned to her head but the broken front brim standing up at a jaunty angle and the violet spray hanging off the side. They all sat down in the ditch, except the children, to recover from the shock. They were all shaking.

    "Maybe a car will come along," said the children's mother hoarsely.

    "I believe I have injured an organ," said the grandmother, pressing her side, but no one answered her. Bailey's teeth were clattering. He had on a yellow sport shirt with bright blue parrots designed in it and his face was as yellow as the shirt. The grandmother decided that she would not mention that the house was in Tennessee.

    The road was about ten feet above and they could see only the tops of the trees on the other side of it. Behind the ditch they were sitting in there were more woods, tall and dark and deep. In a few minutes they saw a car some distance away on top of a hill, coming slowly as if the occupants were watching them. The grandmother stood up and waved both arms dramatically to attract their attention. The car continued to come on slowly, disappeared around a bend and appeared again, moving even slower, on top of the hill they had gone over. It was a big black battered hearselike automobile. There were three men in it.

    It came to a stop just over them and for some minutes, the driver looked down with a steady expressionless gaze to where they were sitting, and didn't speak. Then he turned his head and muttered something to the other two and they got out. One was a fat boy in black trousers and a red sweat shirt with a silver stallion embossed on the front of it. He moved around on the right side of them and stood staring, his mouth partly open in a kind of loose grin. The other had on khaki pants and a blue striped coat and a gray hat pulled down very low, hiding most of his face. He came around slowly on the left side. Neither spoke.

    The driver got out of the car and stood by the side of it, looking down at them. He was an older man than the other two. His hair was just beginning to gray and he wore silver-rimmed spectacles that gave him a scholarly look. He had a long creased face and didn't have on any shirt or undershirt. He had on blue jeans that were too tight for him and was holding a black hat and a gun. The two boys also had guns.

    "We've had an ACCIDENT!" the children screamed.

    The grandmother had the peculiar feeling that the bespectacled man was someone she knew. His face was as familiar to her as if she had known him all her life but she could not recall who he was. He moved away from the car and began to come down the embankment, placing his feet carefully so that he wouldn't slip. He had on tan and white shoes and no socks, and his ankles were red and thin. "Good afternoon," he said. "I see you all had you a little spill."

    "We turned over twice!" said the grandmother.

    "Once", he corrected. "We seen it happen. Try their car and see will it run, Hiram," he said quietly to the boy with the gray hat.

    "What you got that gun for?" John Wesley asked. "Whatcha gonna do with that gun?"

    "Lady," the man said to the children's mother, "would you mind calling them children to sit down by you? Children make me nervous. I want all you all to sit down right together there where you're at."

    "What are you telling US what to do for?" June Star asked.

    Behind them the line of woods gaped like a dark open mouth. "Come here," said their mother.

    "Look here now," Bailey began suddenly, "we're in a predicament! We're in . . ."

    The grandmother shrieked. She scrambled to her feet and stood staring. "You're The Misfit!" she said.

    "I recognized you at once!"

    "Yes'm," the man said, smiling slightly as if he were pleased in spite of himself to be known, "but it would have been better for all of you, lady, if you hadn't of reckernized me."

    Bailey turned his head sharply and said something to his mother that shocked even the children. The old lady began to cry and The Misfit reddened.

    "Lady," he said, "don't you get upset. Sometimes a man says things he don't mean. I don't reckon he meant to talk to you thataway."

    "You wouldn't shoot a lady, would you?" the grandmother said and removed a clean handkerchief from her cuff and began to slap at her eyes with it.

    The Misfit pointed the toe of his shoe into the ground and made a little hole and then covered it up again. "I would hate to have to," he said.

    "Listen," the grandmother almost screamed, "I know you're a good man. You don't look a bit like you have common blood. I know you must come from nice people!"

    "Yes mam," he said, "finest people in the world." When he smiled he showed a row of strong white teeth. "God never made a finer woman than my mother and my daddy's heart was pure gold," he said.

    The boy with the red sweat shirt had come around behind them and was standing with his gun at his hip. The Misfit squatted down on the ground. "Watch them children, Bobby Lee," he said. "You know they make me nervous." He looked at the six of them huddled together in front of him and he seemed to be embarrassed as if he couldn't think of anything to say. "Ain't a cloud in the sky," he remarked, looking up at it. "Don't see no sun but don't see no cloud neither."

    "Yes, it's a beautiful day," said the grandmother. "Listen," she said, "you shouldn't call yourself The Misfit because I know you're a good man at heart. I can just look at you and tell."

    "Hush!" Bailey yelled. "Hush! Everybody shut up and let me handle this!" He was squatting in the position of a runner about to sprint forward but he didn't move.

    "I pre-chate that, lady," The Misfit said and drew a little circle in the ground with the butt of his gun.

    "It'll take a half a hour to fix this here car," Hiram called, looking over the raised hood of it.

    "Well, first you and Bobby Lee get him and that little boy to step over yonder with you," The Misfit said, pointing to Bailey and John Wesley. "The boys want to ask you something," he said to Bailey.

    "Would you mind stepping back in them woods there with them?"

    "Listen," Bailey began, "we're in a terrible predicament! Nobody realizes what this is," and his voice cracked. His eyes were as blue and intense as the parrots in his shirt and he remained perfectly still.

    The grandmother reached up to adjust her hat brim as if she were going to the woods with him but it came off in her hand. She stood staring at it and after a second she let it fall on the ground. Hiram pulled Bailey up by the arm as if he were assisting an old man. John Wesley caught hold of his father's hand and Bobby I,ee followed. They went off toward the woods and just as they reached the dark edge, Bailey turned and supporting himself against a gray naked pine trunk, he shouted, "I'll be back in a minute, Mamma, wait on me!"

    "Come back this instant!" his mother shrilled but they all disappeared into the woods.

    "Bailey Boy!" the grandmother called in a tragic voice but she found she was looking at The Misfit squatting on the ground in front of her. "I just know you're a good man," she said desperately. "You're not a bit common!"

    "Nome, I ain't a good man," The Misfit said after a second ah if he had considered her statement carefully, "but I ain't the worst in the world neither. My daddy said I was a different breed of dog from my brothers and sisters. 'You know,' Daddy said, 'it's some that can live their whole life out without asking about it and it's others has to know why it is, and this boy is one of the latters. He's going to be into everything!"' He put on his black hat and looked up suddenly and then away deep into the woods as if he were embarrassed again. "I'm sorry I don't have on a shirt before you ladies," he said, hunching his shoulders slightly. "We buried our clothes that we had on when we escaped and we're just making do until we can get better. We borrowed these from some folks we met," he explained.

    "That's perfectly all right," the grandmother said. "Maybe Bailey has an extra shirt in his suitcase."

    "I'll look and see derrectly," The Misfit said.

    "Where are they taking him?" the children's mother screamed.

    "Daddy was a card himself," The Misfit said. "You couldn't put anything over on him. He never got in trouble with the Authorities though. Just had the knack of handling them."

    "You could be honest too if you'd only try," said the grandmother. "Think how wonderful it would be to settle down and live a comfortable life and not have to think about somebody chasing you all the time."

    The Misfit kept scratching in the ground with the butt of his gun as if he were thinking about it. "Yestm, somebody is always after you," he murmured.

    The grandmother noticed how thin his shoulder blades were just behind his hat because she was standing up looking down on him. "Do you every pray?" she asked.

    He shook his head. All she saw was the black hat wiggle between his shoulder blades. "Nome," he said.

    There was a pistol shot from the woods, followed closely by another. Then silence. The old lady's head jerked around. She could hear the wind move through the tree tops like a long satisfied insuck of breath. "Bailey Boy!" she called.

    "I was a gospel singer for a while," The Misfit said. "I been most everything. Been in the armed service both land and sea, at home and abroad, been twict married, been an undertaker, been with the railroads, plowed Mother Earth, been in a tornado, seen a man burnt alive oncet," and he looked up at the children's mother and the little girl who were sitting close together, their faces white and their eyes glassy; "I even seen a woman flogged," he said.

    "Pray, pray," the grandmother began, "pray, pray...."

    "I never was a bad boy that I remember of," The Misfit said in an almost dreamy voice, "but somewheres along the line I done something wrong and got sent to the penitentiary. I was buried alive," and he looked up and held her attention to him by a steady stare.

    "That's when you should have started to pray," she said. "What did you do to get sent to the penitentiary that first time?"

    "Turn to the right, it was a wall," The Misfit said, looking up again at the cloudless sky. "Turn to the left, it was a wall. Look up it was a ceiling, look down it was a floor. I forget what I done, lady. I set there and set there, trying to remember what it was I done and I ain't recalled it to this day. Oncet in a while, I would think it was coming to me, but it never come."

    "Maybe they put you in by mistake," the old lady said vaguely.

    "Nome," he said. "It wasn't no mistake. They had the papers on me."

    "You must have stolen something," she said.

    The Misfit sneered slightly. "Nobody had nothing I wanted," he said. "It was a head-doctor at the penitentiary said what I had done was kill my daddy but I known that for a lie. My daddy died in nineteen ought nineteen of the epidemic flu and I never had a thing to do with it. He was buried in the Mount Hopewell Baptist churchyard and you can go there and see for yourself."

    "If you would pray," the old lady said, "Jesus would help you."

    "That's right," The Misfit said.

    "Well then, why don't you pray?" she asked trembling with delight suddenly.

    "I don't want no hep," he said. "I'm doing all right by myself."

    Bobby Lee and Hiram came ambling back from the woods. Bobby Lee was dragging a yellow shirt with bright blue parrots in it.

    "Thow me that shirt, Bobby Lee," The Misfit said. The shirt came flying at him and landed on his shoulder and he put it on. The grandmother couldn't name what the shirt reminded her of. "No, lady," The Misfit said while he was buttoning it up, "I found out the crime don't matter. You can do one thing or you can do another, kill a man or take a tire off his car, because sooner or later you're going to forget what it was you done and just be punished for it."

    The children's mother had begun to make heaving noises as if she couldn't get her breath. "Lady," he asked, "would you and that little girl like to step off yonder with Bobby Lee and Hiram and join your husband?"

    "Yes, thank you," the mother said faintly. Her left arm dangled helplessly and she was holding the baby, who had gone to sleep, in the other. "Hep that lady up, Hiram," The Misfit said as she struggled to climb out of the ditch, "and Bobby Lee, you hold onto that little girl's hand."

    "I don't want to hold hands with him," June Star said. "He reminds me of a pig."

    The fat boy blushed and laughed and caught her by the arm and pulled her off into the woods after Hiram and her mother.

    Alone with The Misfit, the grandmother found that she had lost her voice. There was not a cloud in the sky nor any sun. There was nothing around her but woods. She wanted to tell him that he must pray. She opened and closed her mouth several times before anything came out. Finally she found herself saying, "Jesus. Jesus," meaning, Jesus will help you, but the way she was saying it, it sounded as if she might be cursing.

    "Yes'm, The Misfit said as if he agreed. "Jesus thrown everything off balance. It was the same case with Him as with me except He hadn't committed any crime and they could prove I had committed one because they had the papers on me. Of course," he said, "they never shown me my papers. That's why I sign myself now. I said long ago, you get you a signature and sign everything you do and keep a copy of it. Then you'll know what you done and you can hold up the crime to the punishment and see do they match and in the end you'll have something to prove you ain't been treated right. I call myself The Misfit," he said, "because I can't make what all I done wrong fit what all I gone through in punishment."

    There was a piercing scream from the woods, followed closely by a pistol report. "Does it seem right to you, lady, that one is punished a heap and another ain't punished at all?"

    "Jesus!" the old lady cried. "You've got good blood! I know you wouldn't shoot a lady! I know you come from nice people! Pray! Jesus, you ought not to shoot a lady. I'll give you all the money I've got!"

    "Lady," The Misfit said, looking beyond her far into the woods, "there never was a body that give the undertaker a tip."

    There were two more pistol reports and the grandmother raised her head like a parched old turkey hen crying for water and called, "Bailey Boy, Bailey Boy!" as if her heart would break.

    "Jesus was the only One that ever raised the dead," The Misfit continued, "and He shouldn't have done it. He thrown everything off balance. If He did what He said, then it's nothing for you to do but throw away everything and follow Him, and if He didn't, then it's nothing for you to do but enjoy the few minutes you got left the best way you can by killing somebody or burning down his house or doing some other meanness to him. No pleasure but meanness," he said and his voice had become almost a snarl.

    "Maybe He didn't raise the dead," the old lady mumbled, not knowing what she was saying and feeling so dizzy that she sank down in the ditch with her legs twisted under her.

    "I wasn't there so I can't say He didn't," The Misfit said. "I wisht I had of been there," he said, hitting the ground with his fist. "It ain't right I wasn't there because if I had of been there I would of known. Listen lady," he said in a high voice, "if I had of been there I would of known and I wouldn't be like I am now." His voice seemed about to crack and the grandmother's head cleared for an instant. She saw the man's face twisted close to her own as if he were going to cry and she murmured, "Why you're one of my babies. You're one of my own children !" She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest. Then he put his gun down on the ground and took off his glasses and began to clean them.

    Hiram and Bobby Lee returned from the woods and stood over the ditch, looking down at the grandmother who half sat and half lay in a puddle of blood with her legs crossed under her like a child's and her face smiling up at the cloudless sky.

    Without his glasses, The Misfit's eyes were red-rimmed and pale and defenseless-looking. "Take her off and throw her where you thrown the others," he said, picking up the cat that was rubbing itself against his leg.

    "She was a talker, wasn't she?" Bobby Lee said, sliding down the ditch with a yodel.

    "She would of been a good woman," The Misfit said, "if it had been somebody there to shoot her every minute of her life."

    "Some fun!" Bobby Lee said.

    "Shut up, Bobby Lee," The Misfit said. "It's no real pleasure in life."

    The Fiery Wooing of Mordred by P.G. Wodehouse




    The Pint of Lager breathed heavily through his nose.
                "Silly fathead!" he said. "Ashtrays in every nook and cranny of the room-ashtrays staring you in the eye wherever you look-and he has to go and do a fool thing like that."
                He was alluding to a young gentleman with a vacant, fish-like face who, leaving the bar-parlour of the Anglers' Rest a few moments before, had thrown his cigarette into the wastepaper basket, causing it to burst into a cheerful blaze. Not one of the' little company of amateur fire-fighters but was ruffled. A Small Bass with a high blood pressure had had to have his collar loosened, and the satin-clad bosom of Miss Postlethwaite, our emotional barmaid, was still heaving.
                Only Mr. Mulliner seemed disposed to take a tolerant view of what had occurred.
                "In fairness to the lad," he pointed out, sipping his hot Scotch and lemon, "we must remember that our bar-parlour contains no grand piano or priceless old wal­nut table, which to the younger generation are the normal and natural repositories for lighted cigarette-ends. Failing these, he, of course, selected the wastepaper basket. Like Mordred."
                "Like who?" asked a Whisky and Splash.
                "Whom," corrected Miss Postlethwaite.
                The Whisky and Splash apologized.
                "A nephew of mine. Mordred Mulliner, the poet."
                "Mordred," murmured Miss Postlethwaite pensively. "A sweet name."
                "And one," said Mr. Mulliner, "that fitted him admirably, for he was a comely lovable sensitive youth with large, faun-like eyes, delicately chiseled features and excellent teeth. I mention these teeth, because it was owing to them that the train of events started which I am about to describe."
                "He bit somebody?" queried Miss Postlethwaite, groping.
                "No. But if he had had no teeth he would not have gone to the dentist's that day, and if he had not gone to the dentist's he would not have met Annabelle."
                "Annabelle whom?"
                "Who," corrected Miss Postlethwaite.
                "Oh, shoot," said the Whisky and Splash.

                Annabelle Sprockett-Sprockett, the only daughter of Sir Murgatroyd and Lady Sprockett-Sprockett of Smattering Hall, Worcestershire. Impractical in many ways, (said Mr. Mulliner), Mordred never failed to visit his dentist every six months, and on the morning on which my story opens he had just seated himself in the empty waiting-room and was turning the pages of a three-months-old copy of the Tatler when the door opened and there entered a girl at the sight of whom -- or who, if our friend here prefers it -- something seemed to explode on the left side of his chest like a bomb. The Tatler swam before his eyes, and when it solidi­fied again he realized that love had come to him at last.
                Most of the Mulliners have fallen in love at first sight, but few with so good an excuse as Mordred. She was a singularly beautiful girl, and for a while it was this beauty of hers that enchained my nephew's attention to the exclusion of all else. It was only after he had sat gulping for some minutes like a dog with a chicken bone in its throat that he detected the sadness in her face. He could see now that her eyes, as she listlessly perused her four-months-old copy of Punch, were heavy with pain.
                His heart ached for her, and as there is something about the atmosphere of a dentist's waiting-room which breaks down the barriers of conventional etiquette he was emboldened to speak.
                "Courage !" he said. "It may not be so bad, after all. He may just fool about with that little mirror thing of his, and decide that there is nothing that needs to be done."
                For the first time she smiled-faintly, but with sufficient breadth to give Mordred another powerful jolt.
                "I'm not worrying about the dentist," she explained. "My trouble is that I live miles away in the country and only get a chance of coming to London about twice a year for about a couple of hours. I was hoping that I should be able to put in a long spell of window-shopping in Bond Street, but now I've got to wait goodness knows how long I don't suppose I shall have time to do a thing. My train goes at one-fifteen."
                All the chivalry in Mordred came to the surface like a leaping trout.
                "If you would care to take my place--"
                "Oh, I couldn't."
                "Please. I shall enjoy waiting. It will give me an opportunity of catching up with my reading."
                "Well, if you really wouldn't mind--"
                Considering that Mordred by this time was in the market to tackle dragons on her behalf or to climb the loftiest peak of the Alps to supply her with edelweiss, he was able to assure her that he did not mind. So in she went, flashing at him a shy glance of gratitude which nearly doubled him up, and he lit a cigarette and fell into a reverie. And presently she came out and he sprang to his feet, courteously throwing his cigarette into the waste-paper basket.
                She uttered a cry. Mordred recovered the cigarette.
                "Silly of me," he said, with a deprecating laugh. "I'm always doing that. Absent-minded. I've burned two flats already this year."
                She caught her breath.
                "Burned them to the ground?"
                "Well, not to the ground. They were on the top floor."
                "But you burned them?"
                "Oh, yes. I burned them."
                "Well, well!" She seemed to muse. "Well, good-bye, Mr. --"
                "Mulliner. Mordred Mulliner."
                "Good-bye, Mr. Mulliner, and thank you so much."
                "Not at all, Miss-------"
                "Sprockett- Sprockett."
                "Not at all, Miss Sprockett-Sprockett. A pleasure."
                She passed from the room, and a few minutes later he was lying back in the dentist's chair, filled with an infinite sadness. This was not due to any activity on the part of the dentist, who had just said with a rueful sigh that there didn't seem to be anything to do this time, but to the fact that his life was now a blank. He loved this beautiful girl, and he would never see her more. It was just another case of ships that pass in the waiting-room.
                Conceive his astonishment, therefore, when by the afternoon post next day he received a letter which ran as follows:

    Smattering Hall,
    Lower Smattering-on-the-Wissel,
    Worcestershire.
    Dear Mr. Mulliner,
                My little girl has told me how very kind you were to her at the dentist's today. I cannot tell you how grateful she was. She does so love to walk down Bond Street and breathe on the jewelers' windows, and but for you she would have had to go another six months without her little treat.
                I suppose you are a very busy man, like everybody in London, but if you can spare the time it would give my husband and myself so much pleasure if you could run down and stay with us for a few days----a long week-end, or even longer if you can manage it.
                                                    With best wishes,
                                                                Yours sincerely,
                                                                                        Aurelia Sprockett-Sprockett.

                Mordred read this communication six times in a minute and a quarter and then seventeen times rather more slowly in order to savour any nuance of it that he might have overlooked. He took it that the girl must have got his address' from the dentist's secretary on her way out, and he was doubly thrilled-first, by this evidence that one so lovely was as intelligent as she was beautiful, and secondly because the whole thing seemed to him so frightfully significant. A girl, he meant to say, does not get her mother to invite fellows to her country home for long week-ends (or even longer if they can manage it unless such fellows have made a pretty substantial hit with her. This, he contended, stood to reason.
                He hastened to the nearest post-office, despatched a telegram to Lady Sprockett-Sprockett assuring her that he would be with her on the morrow, and returned to his flat to pack his effects. His heart was singing within him. Apart from anything else, the invitation could not have come at a more fortunate moment, for what <with musing on his great love while smoking cigarettes he had practically gutted his little nest on the previous evening, and while it was still habitable in a sense there was no gainsaying the fact that all those charred sofas and things struck a rather melancholy note and he would be glad to be away from it all for a few days.

                It seemed to Mordred, as he traveled. down on the following afternoon, that the wheels of the train, clattering over the metals, were singing "Sprockett-Sprockett-not "Annabelle", of course, for he did not yet know her name-and it was with a whispered "Sprockett-Sprockett" on his lips that he alighted at the little station of Smattering-cum-Blimpstead-in-the-Vale, which, as his hostess's notepaper had informed him, was where you got off for the Hall. And when he perceived that the girl herself had come to meet him in a two-seater car the whisper nearly became a shout.
                For perhaps three minutes, as he sat beside her, Mordred remained in this condition of ecstatic bliss. Here he was, he reflected, and here she was-here, in fact, they both were-together, and he was just about to point out how jolly this was and-if he could work it without seeming to rush things too much-to drop a hint to the effect that he could wish this state of affairs to continue through all eternity, when the girl drew up outside a tobacconist's.
                "I won't be a minute," she said. "I promised Biffy I would bring him back some cigarettes."
                A cold hand seemed to lay itself on Mordred's heart.
                "Biffy? "
                "Captain Biffing, one of the men at the Hall. And Guffy wants some pipe-cleaners."
                "Guffy?"
                "Jack Guffington. I expect you know his name, if you are interested in racing. He was third in last year's Grand National."
                "Is he staying at the Hall, too?"
                "Yes."
                "You have a large house-party?"
                "Oh, not so very. Let me see. There's Billy Biffing, Jack Guffington, Ted Prosser, Freddie Boot-he's the tennis champion of the county, Tommy Main-price, and-oh, yes, Algy Fripp-the big-game hunter, you know."
                The hand on Mordred's heart, now definitely iced, tightened its grip. With a lover's sanguine optimism, he had supposed that this visit of his was going to be just three days of jolly sylvan solitude with Annabelle Sprockett-Sprockett. And now it appeared that the place was unwholesomely crowded with his fellow men. And what fellow men! Big-game hunters . . . Tennis champions . . . Chaps who rode in Grand Nationals . . . He could see them in his mind's eye-lean, wiry, riding-breeched and flannel-trousered young Apollos, any one of them capable of cutting out his weight in Clark Gables.
                A faint hope stirred within him.
                "You have also, of course, with you Mrs. Biffing, Mrs. Guffington, Mrs. Prosser, Mrs. Boot, Mrs. Mainprice and Mrs. Algernon Fripp?"
                "Oh, no, they aren't married."
                "None of them?"
                "No."
                The faint hope coughed quietly and died.
                "Ah," said Mordred.
                While the girl was in the shop, he remained brooding. The fact that none of these blisters should be married filled him with an austere disapproval. If they had had the least spark of civic sense, he felt, they would have taken on the duties and responsibilities of matrimony years ago. But no. Intent upon their selfish pleasures, they had callously remained bachelors. It was this spirit of laissez-faire Mordred considered, that was eating like a canker into the soul of England.
                He was aware of Annabelle standing beside him.
                "Eh?" he said, starting.
                "I was saying: 'Have you plenty of cigarettes?'"
                "Plenty, thank you."
                "Good. And of course there will be a box in your room. Men always like to smoke in their bedrooms, don't they? As a matter of fact, two boxes-Turkish and Virginian. Father put them there specially."
                "Very kind of him," said Mordred mechanically.
                He relapsed into, a moody silence and they drove off.

                It would be agreeable (said Mr. Mulliner) if, having shown you my nephew so gloomy, so apprehensive, so tortured with dark forebodings at this juncture, I were able now to state that the hearty English welcome of Sir Murgatroyd and Lady Sprockett-Sprockett on his arrival at the Hall cheered him up and put new life into him. Nothing, too, would give me greater pleasure than to say that he found, on encountering the dreaded Biffies and Guffies, that they were negligible little runts with faces incapable of inspiring affection in any good woman.
                But I must adhere rigidly to the facts. Genial, even effusive, though his host and hostess showed themselves, their cordiality left him cold. And, so far from his rivals being weeds, they were one and all models of manly beauty, and the spectacle of their obvious worship of Annabelle cut my nephew like a knife.
                And on top of all this there was Smattering Hall itself.
                Smattering Hall destroyed Mordred's last hope. It was one of those vast edifices, so common throughout the countryside of England, whose original founders seem to have budgeted for families of twenty-five or so and a domestic staff of not less than a hundred. "Home isn't home," one can picture them saying to themselves, "unless you have plenty of elbow room." And so this huge, majestic pile had come into being. Romantic persons, confronted with it, thought of knights in armour riding forth to the Crusades. More earthy individuals felt that it must cost a packet to keep up. Mordred's reaction on passing through the front door was a sort of sick sensation, a kind of settled despair.
                How, he asked himself, even assuming that by some miracle he succeeded in fighting his way to her heart through all these Biffies and Guffies, could he ever dare to take Annabelle from a home like this? He had quite satisfactory private means, of course, and would be able, when married, to give up the bachelor flat and spread himself to something on a bigger scale-possibly, if sufficiently bijou, even a desirable residence in the Mayfair district. But after Smattering Hall would not Annabelle feel like a sardine in the largest of London houses?
                Such were the dark thoughts that raced through Mordred's brain before, during and after dinner. At eleven o'clock he pleaded fatigue after his journey, and Sir Murgatroyd accompanied him to his room, anxious, like a good host, to see that everything was comfortable.
                "Very sensible of you to turn in early," he said, in his bluff, genial way. "So many young men ruin their health with late hours. Now you, I imagine, will just get into a dressing-gown and smoke a cigarette or two and have the light out by twelve. You have plenty of cigarettes? I told them to see that you were well supplied. I always think the bedroom smoke is the best one of the day. Nobody to disturb you, and all that. If you want to wri?e letters or anything, there is lots of paper, and here is the waste-paper basket, which is always so necessary. Well, good night, my boy, good night."
                The door closed, and Mordred, as foreshadowed, got into a dressing-gown and lit a cigarette. But though, having done this, he made his way to the writing-table, it was not with any idea of getting abreast of his correspondence. It was his purpose to compose a poem to Annabelle Sprockett-Sprockett. He had felt it seething within him all the evening, and sleep would be impossible until it was out of his system.
                Hitherto, I should mention, my nephew's poetry, for he belonged to the modern fearless school, had always been stark and rhymeless and had dealt principally with corpses and the smell of cooking cabbage. But now, with the moonlight silvering the balcony outside, he found that his mind had become full of words like "love" and "dove" and "eyes" and "summer skies".

    Blue eyes, wrote Mordred . . .
    Sweet lips, wrote Mordred . . .
    Oh, eyes like skies of summer blue . . .
    Oh, love . . .
    Oh, dove . . .
    Oh, lips . . .

                With a muttered ejaculation of chagrin he tore the sheet across and threw it into the wastepaper basket.

    Blue eyes that burn into my soul,
    Sweet lips that smile my heart away,
    Pom-pom, pom-pom, pom something whole (Goal?)
    And tiddly-iddly-umpty-ay (Gay? Say: Happy-day?)

    Blue eyes into my soul that burn,
    Sweet lips that smile away my heart,
    Oh, something something turn or yearn
    And something something something part.

    You burn into my soul, blue eyes,
    You smile my heart away, sweet lips,
    Short long short long of summer skies
    And something something something trips. (Hips? Ships? Pips?)

                He threw the sheet into the waste-paper basket and rose with a stifled oath. The wastepaper basket was nearly full now, and still his poet's sense told him that he had not achieved perfection. He thought he saw the reason for this. You can't just sit in a chair and expect inspiration to flow-you want to walk about and clutch your hair and snap your fingers. It had been his intention to pace the room, but the moonlight pouring in through the open window called to him. He went out on to the balcony. It was but a short distance to the dim, mysterious. lawn. Impulsively he dropped from the stone balustrade.
                The effect was magical. Stimulated by the improved conditions, his Muse gave quick service, and this time he saw at once that she had rung the bell and delivered the goods. One turn up and down the lawn, and he was reciting as follows:

    TO ANNABELLE
    Oh, lips that smile! Oh, eyes that shine
    Like summer skies, or stars above!
    Your beauty maddens me like wine,
    Oh, umpty-pumpty-turtity love!

                And he was just wondering, for he was a severe critic of his own work, whether that last line couldn't be polished up a bit, when his eye was attracted by something that shone like summer skies or stars above and, looking more closely, he perceived that his bedroom curtains were on fire.
                Now, I will not pretend that my nephew Mordred was in every respect that cool-headed man of action, but this happened to be a situation with which use had familiarized him. He knew the procedure.
                "Fire!" he shouted.
                A head appeared in an upstairs window. He recognized it as that of Captain Biffing.
                "Eh?" said Captain Biffing.
                "Fire!"
                "What?"
                "Fire!" vociferated Mordred. "F for Francis, I for Isabel
                "Oh, fire?" said Captain Biffing. "Right ho."
                And presently the house began to discharge its occupants.
                In the proceedings which followed, Mordred, I fear, did not appear to the greatest advantage. This is an age of specialization, and if you take the specialist off his own particular ground he is at a loss. Mordred's genius, as we have seen, lay in the direction of starting fires. Putting them out called for quite different qualities, and these he did not possess. On the various occasions of holocausts at his series of flats, he had never attempted to play an active part, contenting him-self with going downstairs and asking the janitor to step up and see what he could do about it. So now, though under the bright eyes of Annabelle Sprockett- Sprockett he would have given much to be able to dominate the scene, the truth is that the Biffies and Guffies simply played him off the stage.
                His heart sank as he noted the hideous efficiency of these young men. They called for buckets. They formed a line. Freddie Boot leaped lissomely on to the balcony, and Algy Fripp, mounted on a wheel-barrow, handed up to him the necessary supplies. And after Mordred, trying to do his bit, had tripped up Jack Guffington and upset two buckets over Ted Prosser, he was advised in set terms to withdraw into the background and stay there.
                It was a black ten minutes for the unfortunate young man. One glance at Sir Murgatroyd's twisted face as he watched the operations was enough to tell him how desperately anxious the fine old man was for the safety of his ancestral home and how bitter would be his resentment against the person who had endangered it. And the same applied to Lady Sprockett-Sprockett and Annabelle. Mordred could see the anxiety in their eyes, and the thought that ere long those eyes must be turned accusingly on him chilled him to the marrow.
                Presently Freddie Boot emerged from the bedroom to announce that all was well.
                "It's out," he said, jumping lightly down. "Anybody know whose room it was?"
                Mordred felt a sickening qualm, but the splendid Mulliner courage sustained him. He stepped forward, white and tense.
                "Mine," he said.
                He became the instant centre of attention. The six young men looked at him.
                Yours?"
                "Oh, yours, was it?"
                "What happened?"
                "How did it start?"
                "Yes, how did it start?"
                "Must have started somehow, I mean," said Captain Biffing, who was a clear thinker. "I mean to say, must have, don't you know, what?"
                Mordred mastered his voice.
                "I was smoking, and I suppose I threw my cigarette into the wastepaper basket, and as it was full of paper . . ."
                "Full of paper? Why was it full of paper?"
                "I had been writing a poem."
                There was a stir of bewilderment.
                "A what?" said Ted Prosser.
                "Writing a what?" said Jack Guffington.
                "Writing a poem?" asked Captain Biffing of Tommy Mainprice.
                "That's how I got the story," said Tommy Mainprice, plainly shaken.
                "Chap was writing a poem," Freddie Boot informed Algy Fripp.
                "You mean the chap writes poems?"
                "That's right. Poems."
                "Well, I'm dashed!"
                "Well, I'm blowed!"
                Their now unconcealed scorn was hard to bear. Mordred chaffed beneath it. The word "poem" was flitting from lip to lip, and it was only too evident that, had there been an "5" in the word, those present would have hissed it. Reason told him that these men were mere clods, Philistines, fatheads who would not recognize the rare and the beautiful if you handed it to them on a skewer, but that did not seem to make it any better. He knew that he should be scorning them, but it is not easy to go about scorning people in a dressing-gown, especially if. you have no socks on and the night breeze is cool around the ankles. So, as I say, he chaffed And finally, when he saw the butler bend down with pursed lips to the ear of the cook, who was a little hard of hearing, and after a contemptuous glance in his direction speak into it, spacing his syllables carefully, something within him seemed to snap.
                "I regret, Sir Murgatroyd," he said, "that urgent family business compels me to return to London immediately. I shall be obliged to take the first train in the morning."
                Without another word he went into the house.

                In the matter of camping out in devastated areas my nephew had, of course, become by this time an old hand. It was rarely nowadays that a few ashes and cinders about the place disturbed him. But when he had returned to his bedroom one look was enough to assure him that nothing practical in the way of sleep was to be achieved here. Apart from the unpleasant, acrid smell of burned poetry, the apartment, thanks to the efforts of Freddie Boot, had been converted into a kind of inland sea. The carpet was awash, and on the bed only a duck could have made itself at home.
                And so it came about that some ten minutes later Mordred Mulliner lay stretched upon a high-backed couch in the library, endeavouring by means of counting sheep jumping through a gap in a hedge to lull himself into un­consciousness.
                But sleep refused to come. Nor in his heart had he really thought that it would. When the human soul is on the rack, it cannot just curl up and close its eyes and expect to get its eight hours as if nothing had happened. It was all very well for Mordred to count sheep, but what did this profit him when each sheep in turn assumed the features and lineaments of Annabelle Sprockett-Sprockett and, what was more, gave him a reproachful glance as it drew itself together for the spring?
                Remorse gnawed him. 'He was tortured by a wild regret for what might have ~ been. He was not saying that with all these Biffies and Guffies in the field he had ever had more than a hundred to eight chance of winning that lovely girl, but at least his hat had been in the ring. Now it was definitely out. Dreamy Mordred may have been-romantic-impractical----but he had enough sense to see that the very worst thing you can do when you are trying to make a favourable impression on the adored object is to set fire to her childhood home, every stick and stone of which she has no doubt worshipped since they put her into rompers.
                He had reached this point in his meditations, and was about to send his two hundred and thirty-second sheep at the gap, when with a suddenness which affected him much as an explosion of gelignite would have done, the lights flashed on. For an instant, he lay quivering, then, cautiously poking his head round the corner of the couch, he looked to see who his visitors were.
                It was a little party of three that had entered the room. First came Sir Murgatroyd, carrying a tray of sandwiches. He was followed by Lady Sprockett-Sprockett with a syphon and glasses. The rear was brought up by Annabelle, who was bearing a bottle of whisky and two dry ginger ales.
                So evident was it that they were assembling here for purposes of a family council that, but for one circumstance, Mordred, to whom anything in the nature of eavesdropping was as repugnant as it has always been to all the Mulliners, would have sprung up with a polite "Excuse me" and taken his blanket elsewhere. This circumstance was the fact that on lying down he had kicked his slippers under the couch, well out of reach. The soul of modesty, he could not affront Annabelle with the spectacle of his bare toes.
                So he lay there in silence, and silence, broken only by the swishing of soda-water and the whoosh of opened ginger-ale bottles, reigned in the room beyond.
                Then Sir Murgatroyd spoke.
                "Well, that's that," he said, bleakly.
                There was a gurgle as Lady Sprockett-Sprockett drank ginger ale. Then her quiet well-bred voice broke the pause.
                "Yes," she said, "it is the end."
                "The end," agreed Sir Murgatroyd heavily. "No good trying to struggle on against luck like ours. Here we are and here we have got to stay, mouldering on in this blasted barrack of a place which eats up every penny of my income when, but for the fussy interference of that gang of officious, ugly nitwits, there would have been nothing left of it but a pile of ashes, with a man from the Insurance Company standing on it with his fountain-pen, writing cheques. Curse those imbeciles! Did you see that young Fripp with those buckets?"
                "I did, indeed," sighed Lady Sprockett-Sprockett.
                "Annabelle," said Sir Murgatroyd sharply.
                "Yes, Father?"
                "It has seemed to me lately, watching you with a father's eye, that you have shown signs of being attracted by young Algernon Fripp. Let me tell you that if ever you allow yourself to be ensared by his insidious wiles, or by those of William Biffing, John Guffington, Edward Prosser, Thomas Mainprice or Frederick Boot, you wilt do so over my dead body. After what occurred tonight, those young men shall never darken my door again. They and their buckets! To think that we could have gone and lived in London. .
                "In a nice little flat . . ." said Lady Sprockett-Sprockett.
                "Handy for my club . . ."
                "Convenient for the shops . . ".
                "Within a stone's throw of the theatres . . ."
                "Seeing all our friends . . ."
                "Had it not been," said Sir Murgatroyd, summing up, "for the pestilential activities of these Guffingtons, these Biffings, these insufferable Fripps, men who ought never to be trusted near a bucket of water when a mortgaged country-house has got nicely alight. I did think," proceeded the stricken man, helping himself to a sandwich, "that when Annabelle, with a ready intelligence which I cannot overpraise, realized this young Mulliner's splendid gifts and made us ask him down here, the happy ending was in sight. What Smattering Hall has needed for generations has been a man who throws his cigarette-ends into wastepaper baskets.  I was convinced that here at last was the angel of mercy we required."
                "He did his best, Father."
                "No man could have done more," agreed Sir Murgatroyd cordially. "The way he upset those buckets and kept getting entangled in people's legs. Very shrewd. It thrilled me to see him. I don't know when I've met a young fellow I liked and respected more. And what if he is a poet? Poets are all right. Why, dash it, 11m a poet myself. At the last dinner of the Loyal Sons of Worcestershire I composed a poem which, let me tell you, was pretty generally admired. I read it out to the boys over the port, and they cheered me to the echo. It was about a young lady of Bewdley, who sometimes behaved rather rudely . . ."
                "Not before Mother, Father."
                "Perhaps you're right. Well, I'm off to bed. Come along, Aurelia. You coming, Annabelle?"
                "Not yet, Father. I want to stay and think."
                "Do what?"
                "Think."
                "Oh, think? Well, all right."
                "But, Murgatroyd," said Lady Sprockett-Sprockctt, "is there no hope? After all, there are plenty of cigarettes in the house, and we could always give Mr. Mulliner another wastepaper basket . . ."
                "No good. You heard him say he was leaving by the first train tomorrow. When I think that we shall never see that splendid young man again  . . . Why, hullo, hullo, hullo, what's this?  Crying, Annabelle?"
                "Oh, Mother!"
                "My darling, what is it?"
                A choking sob escaped the girl.
                "Mother, I love him! Directly I saw him in the dentist's waiting-room, some-thing seemed to go all over me, and I knew that there could be no other man for me. And now..."
                "Hi!" cried Mordred, popping up over the side of the couch like a jack-in-the-box.
                He had listened with growing understanding to the conversation which I have related, but had shrunk from revealing his presence' because, as I say, his toes were bare. But this was too much. Toes or no toes, he felt that he must be in this.
                "You love me Annabelle?" he cried.
                reaction in those present. Sir Murgatroyd had leaped like a jumping bean. Lady Sprockett-Sprockett had quivered like a jelly. As for Annabelle, her lovely mouth was open to the extent of perhaps three inches, and she was staring like one who sees a vision.
                "You really love me, Annabelle?"
                "Yes, Mordred."
                "Sir Murgatroyd," said Mordred formally, "I have the honour to ask you for your daughter's hand. I am only a poor poet
                "How poor?" asked the other, keenly.
                "I was referring to my Art," explained Mordred. fixed. I could support Annabelle in modest comfort."
                "Then take her, my boy, take her. You will live," --the old man winced-- "in London?"
                "Yes. And so shall you."
                Sir Murgatroyd shook his head.
                "No, no, that dream is ended. It is true that in certain circumstances I had hoped to do so, for the insurance, I may mention, amounts to as much as a hundred thousand pounds, but I am resigned now to spending the rest of my life in this infernal family vault. I see no reprieve."
                "I understand," said Mordred, nodding. "You mean you have the house?"
                Sir Murgatroyd started.
                "Paraffin?"
                "If," said Mordred, and his voice was very gentle and winning, "there had been paraffin on the premises, I think it possible that tonight's conflagration, doubtless imperfectly quenched, might have broken out again, this time with more serious results, It is often this way with fires. You pour buckets of water on them and think they are extinguished, but all the time they have been smoldering unnoticed, to break out once more in-well, in here, for example."
                "Or the billiard-room," said Lady Sprockett-Sprockett.
                "And the billiard-room," corrected Sir Murgatroyd.
                "And the billiard-room," said Mordred. "And possibly--who knows?--in the drawing-room, dining-room, kitchen, servants' hall, butler's pantry, and the usual domestic offices as well. Still, as you say you have no paraffin . . ."
                "My boy,"  said Sir Murgatroyd, in a shaking voice, "what gave you the idea that we have no paraffin?  How did you fall into this odd error?  We have gallons of paraffin.  The cellar is full of it."
                "And Annabelle will show you the way to the cellar -- in case you thought of going there," said Lady Sprockett-Sprockett.  "Won't you, dear?"
                "Of course, Mother.  You will like the cellar, Mordred, darling.  Most picturesque.  Possibly, if you are interested in paraffin, you might also care to take a look at our little store of paper and shavings, too."
                "My angel," said Mordred, tenderly, "you think of everything."
                He found his slippers, and hand in hand they passed down the stairs.  Above them, they could see the head of Sir Murgatroyd, as he leaned over the banisters.  A box of matches fell at their feet like a father's benediction.